Monday, October 29, 2007

amritha rao's interview


Post Vivah , Amrita Rao is one actress who is making all the news and bagging the best projects. She also made her debut in South Indian films with Telugu superstar Mahesh Babu’s Athidhi . The film released and became an instant hit. Happy by the response, Amrita now wants to be cautious in selecting films. For last six months, she has been put up in Hyderabad working for Athidhi and Shyam Benegal’s film. She talks to Indiatimes.com about her career plans for regional films and more.Your first foray into regional films with Athidhi , which has been received well and people in Andhra are going gaga over your looks.


How is the experience?
I am really happy to know that Athidhi has been lapped up by Telugu people. Everyone is enjoying it from masses to college students. I saw the film on the first day first show in Sudarshan, a 70mm theatre and it was an experience I will never forget. I saw people literally celebrating the film. They came with tons of paper and threw it across the screens in joy. Mere Liye Woh Bahut Yadgaar Pal Tha . I felt greater responsibility as an actress.


What was the prime reason for selecting this film as your debut in Telugu?
The first thing that I liked about Athidhi is that my character name in the film is Amrita – my real name. In Bollywood, I played lot of roles but never was I called Amirta in those films. In some movies, I was called Payal, Poonam and in some Sanjana. Apart from this, I liked the characterization of my role in the movie. I like the whole fictitious character coming out of me, which was designed like the female lead in Matrix and trying to do what she probably can’t do.


Will you like to do more such fantasy characters in Bollywood?

Yes, I would love to. Actually, I am already talking about this characterization to people in Bollywood. Playing characters like Carrie-Anne Moss in Matrix was real fun. It is like doing a dream character that I have always wanted to do.


Are you happy with the girl-next-door image?
I want to encash on this image. It is always better for an actor/actress to connect with one’s audiences. People find me in their daughter, sister or the girl they always knew in their neighborhood. It is important for an actress to be identified by the audiences. I am happy with this image


.Are’t you worried it’ll typecast you?
From the beginning, I have been doing a variety of films and roles. In Main Hoon Na , I did a modern college girl. While I did a period film ( The Legend of Bhagat Singh ), on other hand, I also played a traditional Indian girl in Shikar. Ishq Vishq and Vivah are all different from each other. I am picking up a variety of roles despite this image.


You seem so anorexic!
(laughs) Really? Well, being petite works for me to sustain in the film world. But I never starve to be slim. I take healthy food and believe I have appropriate weight.


Tell us about Shyam Benegal’s film
This film is going to be one of the milestones in my film journey. I have already shot for the film for one month in Ramoji Film City, Hyderabad and the whole experience was enriching. Shyamji is one of the directors, I respect and he is an internally known filmmaker. His cinema has always been sensible and good. This time he is doing a satirical comedy and has commercial elements too. Shyam ji is going to surprise lots of people with this film.


What next?
My film with director Niwas – My Name Anthony Is Gonsalves , is going to be released early next year. Then there is Anil Kapoor’s home production, Short Cut , starring Akshaye Khanna and Arshad Warsi. Some films are still in the pipeline

Friday, October 19, 2007

venkatesh's interview




After Lakshmi and Aadavari Matalaku Ardhale Verule, Venkatesh is back, to woo the family audiences of Andhra. Facing a pleasant portrait of Bhagwan Ramana Maharshi in his private room at Ramanaidu Studios, Venkatesh speaks about the film, his career and spiritualism.

Tell us about Thulasi?
Thulasi is yet another emotional family drama. It has all the ingredients to satisfy my fans. (Smiles) Unlike Lakshmi, Thulasi, will have an extra dose of action and sentiment. The entire movie is shot in an interesting manner with specially conceived sequences. It has high-voltage of action, romance and sentiments. The major highlight of the movie is the music by Devi Sri Prasad, which has already become a chartbuster. All the numbers are situational and will give a pleasant experience to the audience. Choreography and the locations are also special in Thulasi.The editing is very slick.




Why do you prefer titles like Lakshmi and now Thulasi?
Not intentional at all. The title of the film has relevance to the story. I play the role of Tulasi Ram. Moreover, it has sentimental value attached to the sacred Thulasi plant. I think there is nothing wrong or abnormal in this title.
What about the characterization of Tulasi Ram?
Tulasi Ram is a blend of violence and silence. He hails from Palnadu and hence holds a lineage of his own. He falls in love with a girl – call her a mix of modernity and tradition. She is both glamorous and homely. Tulasi is an architect. But the story is about love and other family drama elements. There is also the angle of factionist cult attached to Tulasi.






What kind of sentiments is there in the film?
There is a father-son sentiment and the boy – Athulith has done a wonderful performance. I can repeatedly say that he is cute, wonderful and great. I felt at home working with him. The audience will cry during a few scenes. The relationship will sound realistic and not at all dramatic. This child sentiment can be called the lifeline of the film.




Action, sentiment or romance.Which one you felt more difficult to enact?
I did all the departments with passion. But, it was with the child sentiment that I worked hard and felt the weight on my nerves. Anyways, I liked it most.Tell us about Nayantara
Going by the story, the heroine should look both glamorous and traditional. I already said that. Nayantara was the right choice. And she has done a great job.






How you felt working with Boyapati?
It was team work. Boyapati worked for my films Pavitra Bandham and Pelli Chesukundam as an assistant director. When he narrated the story, I instantly liked it. He is one technician who could mix commercial element with realism with perfect ease. You will see that in Thulasi.




Why don't you prefer acting in big budget mass films?
I don't really mean it. For me, there is nothing like a budget movie or small budget movie. After all, everybody works for money. I should know what my audiences prefer. If not, it will become a risky proposition. Producers should get back their money (smiles)






They say that you are turning spiritual. Please comment
Yes. I have completely surrendered to God. He will take care of me. I have experienced that God is within us. Most of us are not inviting him into our heart. Once you invite him wholeheartedly, you will experience bliss






One more hero is coming from your family. How do you feel?
Yes. Rana (son of Suresh Babu) wants to be an actor. He will come at the right time.






Your future projects?
At present I want to take a break.

Wednesday, October 3, 2007

S. P. Balasubramaniam:A legend




150 selected songs of S. P. Balasubramaniam DOWNLOAD HERE


(బాల సుబ్రమణ్యం) is a prolific Indian singer,Actor,Dubbing artist,Music director. He is also known as S.P.B. and Baalu in the media.
Besides playback singing, Balasubramaniam is also the chairman of Kodandapani Audio Labs, Chennai.

His Full name is Sripathi Panditaradhyula Balasubramaniam

Singer

Balasubramaniam made his debut in film music as a singer in 1966 with Sri Sri Sri Maryada Ramanna, a film scored by his mentor Kodandapani. He has sung more than 39,000 songs [2]since in more than 5 different Indian languages including Telugu, Tamil,Kannada, Hindi and Malayalam. He holds the Guinness record for having sung the most number of song recordings by any single male singer (the corresponding record for a female singer is held by Lata Mangeshkar).

A gifted singer, he is highly regarded for his incredible vocal range, deep rich voice, and mastery of style, technique and control. These qualities allowed him expression across various genres of Indian music, and he has been highly sought after by many of India's film music composers. His approach to singing is methodical; he perseveres to understand the full meaning of the songs that he sings (many of which are very poetic) and the settings in which these songs are couched in order to most effectively match their requirements with his vocal delivery.

SPB is fairly well-versed in the Hindi language, but has also sung in various other less familiar languages such as Bengali, Tulu and Oriya. He feels that vocal gimmickry cannot mask incorrect accents, and while he concedes that his accent and diction in Hindi are not perfect, insists that accent is secondary to singing within the context of the proper emotions required of the lyrics and moods. He welcomes modern technology in music making as it enhances both speed and results.

He has performed both the popular and classical music of India. For example, the songs he performed in the films Sankarabharanam, Sagara Sangamam, Rudra Veena were based on Carnatic classical music, and the song Umandu Ghumandu in the movie Ganayogi Panchakshari Gavayi was based on Hindustani classical music.

SPB virtually monopolised playback singing for more than 15 years in the Telugu, Kannada and Tamil cinema. He hosts a popular TV show called Paadutha Theeyaga on E-Tv, Paadalani Undi on MAA-TV and Ede Thumbi Haaduvenu on 'E-Tv Kannada'.


Awards and titles

Titles

* 1999 Doctorate from Pottisreeramulu University (A.P). Presented by Governor Rangarajan.
* 2001 Padma Sri Award from the President of India K.R. Narayanan..
National awards

* 1979 Sankarabharanam - Telugu
* 1981 Ek Duje Ke Liye - Hindi
* 1983 Sagara Sangamam - Telugu
* 1988 Rudraveena - Telugu
* 1995 Ganayogi Panchakshari Gavayi - Kannada
* 1996 Minsaara Kanavu - Tamil

State awards

* The Kalaimamani by Tamil Nadu Government in 1981
* Andhra Pradesh Government Nandi Award for Best Male Playback Singer - received 18 times.
* Tamil Nadu Government Award - received 3 times
* Film Fans' Association (Madras) Award (oldest association in the country) - received 20 times

Other awards

* September 1, 2002 Life time Achievement Award "Play back King", conferred during TVS Victor Aalaapana Music Awards function for the years 2001 & 2002, at Hyderabad
* August 5, 2002 "Dr. Bezawada Gopala Reddy Award", given during a function in Nellore
* April 7, 2002 Delhi Telugu Academy's 'Rashtriya Vikas Shiromani Award (Life time)' in 2002 on the occasion of 'Ugadi 2002', held in New Delhi.
* 2002 Swaralaya-Kairali-Yesudas award
* 2001 Sangeeta Ganga award
* 1990 Film Fare Award for the film 'Maine Pyar Kiya'
* 2006 Raja-Lakshmi Award from Sri Raja-Lakshmi Foundation, Chennai
* 2006 Best Playback Singer from Vijay TV, Reliance Mobile Vijay awards
* Mia Tansen Award Sur Singar Sanjad (Bombay) for best classical rendition of a song from 'Tere Payal Mere Geeth' composed by Naushad Sab
* Innumerable Awards from Magazines & Associations fostering films
Achievements

* Has recorded over 39,000 plus songs in a span of 40 years, which include film songs and devotional numbers recorded by various recording companies of the country. It's a world record which will be soon entering into the Guinness Book of World Records.
* Has recorded 21 songs in Kannada for the composer Upendra Kumar in Bangalore from 9.00 a.m. to 9.00 p.m. on February 8, 1981 which is a record.
* Has recorded 19 songs in Tamil in a day, and 16 songs in Hindi in a day, which is a notable achievement.